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Sidechain Compression Explained: How & When to Use It (With Videos!) |
How to Use Track Stacks and Sidechain Compression in Logic Pro - Loop Community Blog - Our Best Content
The sidechaining process has become a popular and essential tool for many professional mix engineers, but how can we apply the technique in Logic Pro X?
However, while most of us have heard about the concept, things can get confused when it comes to implementing it in your DAW. In this workshop, we take a look at both the practicalities of setting up a sidechain in Logic Pro X, as well as exploring some of the key techniques and approaches used in music production. Sidechaining as a technique that originates from the days of dedicated studio hardware, where a device would have multiple inputs more on this in a bit and engineers had complete flexibility in respect to how they routed a signal around the studio.
As such, this meant there could be a distinction between the signal being processed and the signal being used to drive the signal processor like a compressor. The classic contemporary examples of sidechain would be the aforementioned French-style EDM compression, where a kick drum is fed to the sidechain input of a compressor, while the rest of the mix or a large proportion of it is fed through the main inputs.
The result creates a unique pumping effect, where the presence of the kick attenuates the rest of the track. With both the Noise Gate and AutoFilter plug-ins, this works in close conjunction with a Threshold control. The Gate, for example, is opened and closed in relation to the sidechain hitting a given threshold, whereas the AutoFilter uses the threshold to trigger a pre-programmed ADSR envelope setting. Establishing the sidechain routing is therefore just the beginning, as you need to be clear on how to tweak the plug-in or instrument to hear the effect in action.
One of the key benefits of sidechaining is its ability to make a mix more dynamic and even more importantly, create space in a mix. This probably goes a long way to explain why the effect is so popular in EDM music, where big synths and equally expansive reverbs can eat up the soundstage with just a few instruments. Having understood some of the basics, the walkthrough details several practical examples of sidechaining in action that can hopefully inspire you to think about how you might want to apply the technique in your productions.
This will now route the Kick Drum track through the Sidechain input of the compressor, letting the Kick dictate the compression. The first two parameters to investigate are Threshold and Release. The sidechain works as a form of envelope follower, following the dynamic movement of the input rather than working with audio-rate modulation.
Try using various drum sounds — like a kick or a hi-hat — patched through to the filter. A Threshold setting around dB makes the Noise Gate responsive to the hi-hat. The effect sounds best when it has a graduated Release stage — around ms. You can also create a softer effect by raising the Reduction control to around dB so that the pad pulses rather than being chopped. The AutoFilter plug-in in Logic also has a sidechain input, but acts a little differently.
As with the previous examples, the finesse of setting the effect relates to both the Envelope shape and the Threshold, so the envelope is triggered correctly. As you can see from the walkthrough, the possibilities of sidechaining are vast, especially when you consider the variety of plug-ins featuring sidechaining and the almost infinite number of sound combinations that can be used with them.
Experiment away! To illustrate how creative your approach can be, try activating all three sidechain treatments — Compressor, Gate, and AutoFilter at once. The result is a hybrid, with elements of each effect in the final output. Sidechaining can be a great way to claw back space in the mix. In this example, start by placing plenty of reverb and delay found on Bus 1 and 2 over the Moog synth lead.
The sound is big and spacious. Route both of the reverb and delay returns to a new, spare bus. Place a compressor across the summed FX return, although in this case, use the synth lead Moog Audio 1 as the sidechain source. Notice how the presence of the synth attenuates the reverb, making the mix drier. Try listening to the mix as a whole, with and without the various forms of sidechain processing.
Notice how the effect helps regain space in the mix and well as adding an extra layer of dynamism. For more Logic tutorials and workshops, check here. Apple Logic Pro. Soundcore Motion Boom Plus review: Getting the party started just got a whole lot easier.
How To Use Sidechain Compression in Logic Pro X | Decibel Peak
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